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| For fine detail and glazes.
The most popular shape. The long handle makes it ideal for oil colour where drawing and scumbling over the surface can be achieved. More Info
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| Blends, softens edges and creates texture.
Popular for glazes and blending. Useful for stippling and feathering grass and hair effects. Good for blending skies and faces. More Info
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| Flat with oval tip. Broad mark with a soft edge.
The pointed tip of the filbert shape gives precision for highlights, yet the flat body can carry ample colour. More Info
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| A long flat head. Bend, glaze or cover large areas.
A long flat brush. Covers large areas with the flat side. Renders thin lines with the edge. Also ideal for glazing. More Info
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| A short flat head. Creates sharp edges with control.
A stiff flat brush giving control and movement of large amounts of colour. More Info
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| A short flat head. Creates sharp edges with control.
A similar brush to the standard Short Flat/ Bright but fitted with short handles. These brushes are suited to small-scale works or fine detail and are also popular with crafters for general-purpose use. More Info
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| For fine detail and glazes.
The most popular brush shape. The short handle is more suited to smaller scale or detailed work. More Info
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| Extra fine point for lines, long scroll work and detail.
The longest, thinnest round water colour brush. It was first designed for painting the rigging on ships, these brushes are excellent for continuous fine lines. More Info
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| A short flat water colour brush. For edges and shapes or applying washes.
Originally for ‘one stroke’ application by sign writers, many water colourists use this brush for washes. It also makes a unique chisel edged flat brush mark. More Info
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| Round with an elongated point and tip. For accuracy and fine detail.
An adaptation of the round, it has an extra fine taper point for accuracy and fine detail work, plus the belly to hold colour. More Info
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| Designed specifically for use with water colour and water based media, these round headed brushes have good colour carrying capacity and hold a sharp point. A wide range of sizes are available in this popular series. More Info
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| As with Series 111 these brushes are suitable for use with all forms of water based media. They possess an elongated head shape, which gives an extra fine point and greater colour holding capacity, which is more suitable for designers. More Info
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| Similar to Series 111, this long handled brush is designed for use with Oil, Acrylic and Griffin Alkyd colours. Of good durability, these brushes have good colour carrying capacity, spring More Info
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| Like Series 444, these brushes provide extra control when accuracy and delicacy of touch are required during painting with Oil, Acrylic or Griffin Alkyd colours. More Info
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| Designed specifically for one stroke and lettering work, these brushes possess good spring and colour holding capacity. More Info
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| Similar to Series 666 these wash brushes have transparent handles with bevelled ends, which can be used for burnishing, scraping or as a palette knife. More Info
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| This special fan-shaped brush is designed for use where delicate blending effects are required in portraiture and other fine detail work. More Info
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| These wide, flat wash brushes are designed for covering large areas with water colour washes. Available in a choice of two sizes. More Info
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| A set containing a selection of the most popular brushes from our Cotman range: The wallet contains: 3 Series 111 Water Colour Brushes (Nos. 1, 4 and 6), a 10mm Series 666 One Stroke Brush. More Info
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| Daler Rowney Diana Series 40 Kolinsky sable brushes for watercolour. More Info
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